Good Brown Girl from the Barrio

October 6, 2018 § Leave a comment

Cisneros

If House on Mango Street cut me open, the poetry of Cisneros shattered me. I was expecting more of Esperanza, the narrator of Mango Street. Instead I got Sandra Cisneros herself — wild, raw, and vulnerable on the page in ways that left me buzzing. She wrote of her family, of violence, of travel, of sex, of lovers, of chaos, of loneliness, depression, and obsessive love. She wrote of all things a “good brown girl” from the barrio should not experience, much less put down on the page. When I read her poem “Christ You Delight Me” from Loose Woman and came to the last stanza — Suckle vines, I have to hunker//My cunt close to the earth,//This little pendulum of mine//Ringing, ringing, ringing — I couldn’t believe it. A Mexican-American woman, talking like that?

At Bustle, Lizz Huerta, my wonderful friend from the Misfit Crew at Bread Loaf, writes about Sandra Cisneros and how a writer is born when she finds herself on the page.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

What’s this?

You are currently reading Good Brown Girl from the Barrio at Neil Serven.

meta

%d bloggers like this: